The Universität für Musik und darstellende Kunst Graz (Institut für Alte Musik und Aufführungspraxis) has announced the selection procedure for one Baroque Oboe teacher. The contract will start from the Winter semester of the 2019/20 academic year, on a part-time (50%) basis with a monthly salary of €2502,55 gross, with two extra bonus payments per year.
Basic requirements
a degree from an Austrian or comparable foreign educational institute that suits the position, or an equivalent artistic aptitude
willingness to participate actively in the further development of the university’s teaching environment and its artistic and scholarly life, as well as helping shape the academic autonomy of the University of Music and Performing Arts in Graz
gender competence
Specific Employment Requirements
an outstanding personality with the highest qualification and artistic communicative ability, who – in addition to virtuosic mastery of the instrument and construction of oboe reeds –is also an expert in historical performance techniques and in imparting the latest knowledge of historically-informed performance practice based on historical sources
an internationally outstanding artistic career
an excellent pedagogical and didactic competency
willingness and ability to undertake artistic directorial duties
The official regulations indicate that, in case of equivalent qualification, preference will be given to female applicants. Also, following the concept of social sustainability at the University of Music and Performing Arts Graz, which interprets all aspects of special requirements, persons with special needs will be given preference in the case of equal qualifications.
The application deadline for the job of Baroque oboe teacher is on 13 september 2018.
Webpage of the Institut für Alte Musik und Aufführungspraxis: www.kug.ac.at
On Friday 25 May the Il Teatro della Memoria Early Dance & Music Ensemble onstage at Teatro Cyrano
Il Torneo Amoroso
Love battles, musical scherzi and drinking songs between Renaissance and Baroque
Music by: Cosimo Bottegari, Vincenzio Calestani, Giandomenico del Giovane da Nola, Andrea Falconieri, Girolamo Frescobaldi, Giovanni Giacomo Gastoldi, Giovanni Girolamo Kapsberger, Biagio Marini, Diego Ortiz, Salomone Rossi. Choreographies from the treatises by: Thoinot Arbeau, Fabrizio Caroso and Cesare Negri
Dancers: Simona Buompadre, Fiorella Cardinale Ciccotti, Claudia Celi, Paolo Di Segni, Yari Molinari.
Musicians: Mauro Morini (trombone), Carolina Pace (recorder), Angela Paletta (shawm), Rosanna Rossoni (singins), Francesco Tomasi (lute, baroque guitar), Andrea Toschi (bass curtal, recorder)
Artistic direction:Claudia Celi and Andrea Toschi
Click for PDF poster
Friday 25 May 2018 – 9.00PM Teatro Cyrano – via Santa Maria Mediatrice 22 – Roma (Italy) – see map below
Reduced tickets are available for subscribers to this Blog or to the Il Teatro della MemoriaFacebook Fan Page. For info about booking them go to the tickets page.
Tickets available at: Teatro Cyrano Box Office, Ciaotickets sale points or online on webpage www.ciaotickets.com
International Early Music & Dance Workshop
17th Edition – Rome July28th – August 5th, 2018
Courses, concerts and seminars managed by Il Teatro della Memoria (artistic direction: Claudia Celi and Andrea Toschi)
16th-17th Century Dances between Italy and Spain: Claudia Celi 17th-18th Century Dances and Contredanses between France and Spain: Ilaria Sainato 19th Century Social Dances: Paolo Di Segni Baroque Oboe: Angela Paletta Recorder: Marco Rosa Salva Renaissance & Baroque Singing:Rosanna Rossoni Renaissance & Baroque Trombone: Ercole Nisini Renaissance Lute, Theorbo and Baroque Guitar: Francesco Tomasi Cembalo Accompaniment: Paolo Tagliapietra
Rhethorical Gesture Seminar: Ilaria Sainato Qi Gong Seminar: Angela Paletta
Ensemble Music and Dance Accompaniment Practice
General information and fees
Programs in Italian are available (in Italian) at this link. Feel free to e-mail us for specific information or use the contact form at the end of this page. The final students’ performance will see the participation of music and dance courses together. Students that are already enrolled in one course may also attend individual lessons of another course with a supplementary charge (see below).
Registration & insurance fee
with advance payment up to June 30th 60.00 euros
with advance payment after June 30th 120.00euros
Deadline extended: since June 30 is a bank holiday, it’s possible to make the advance payment on Monday July 2 and still take advantage of the reduced registration fee.
Members of specified Schools and Societies with a reduction agreement and students enrolled in more than one course are entitled to a discount of 40.00 euros.
Tuition fees
The basic tuition fee for singing and instrument courses covers individual lessons, collective lessons and the Qi Gong Seminar. The fee for dancing courses covers the collective lessons and the Qi Gong Seminar.
Principal courses:
Music courses (singing or instrument, inclusive of ensemble workshop and – for singers – of Rhetorical Gesture): 270.00 euros
Dancing courses (12 hours): 140.00 euros
Supplementary courses:
Six individual singing or instrument lessons (30 minutes each): 180.00 euros
Rhetorical Gesture Seminar: 90.00 euros
Registration and payments
The registration fee plus 50% of all tuition fees must be paid in advance by bank transfer to the account 8660-2799 at Monte dei Paschi di Siena (European IBAN bank code: IT 42 L 01030 03260 000000279928 – BIC: PASCITM1R33 ) in the name of “Il Teatro della Memoria”, or by money order to: Il Teatro della Memoria – c/o Toschi – via Gradoli, 56 – 00189 Roma (Italy). In order to save on bank transfer charges, be sure to choose the “shared charges” option. For residents outside the Euro area, payments are also accepted by credit card: go to this page.
After the advance payment has been sent, fill the form on the registration page. A copy of the bank transfer or of the money order must arrive not later than July 2nd:
The balance must be paid before the beginning of the courses.
Cancellation
The advance payment won’t be refunded in case of cancellation after June 30th. If the cancellation (to be made exclusively through the dedicated page) arrives before June 30th, the amount paid will be refunded with a deduction of 60.00 euros.
Maximum number of students
singing or instrument courses: maximum 10 per course
dance courses: maximum 16 per course
Students will be enrolled according to the order of arrival of the registration forms. Those that cannot be admitted because the maximum has been reached will be promptly informed, and the amount paid will be refunded, unless they want to enroll in another course. The Direction reserves the right to modify the programs. The courses for which the minimum number of registrations will not be reached will be cancelled, and the amount paid will be refunded.
Check-in and location
The check-in desk will be open on July28th from 3.30 to 7.00 PM. The courses will be hosted by the Scuola Popolare di Musica di Testaccio at Piazza Giustiniani 4/a (the historical Testaccio slaughterhouse) in a central area well connected by subway (Metro B line – station Piramide), local train (station Roma Ostiense – for timetables see trenitalia.com) tramway or bus (website: atac.roma.it).
Health & emergencies info
Registered students are insured against accidents during lessons with a maximum cover of 50,000.00 euros. Check with your health insurance company or your national health system about coverage in Italian hospitals in case of illness. Most EU member states have arrangements that admit the citizens of one state in the public hospitals of another free of charge. If you have any doubts, contact us and we’ll try to find information on the arrangements with your country and the documents you need. Emergency treatment (“Pronto Soccorso”) at public hospitals is free except for minor illnesses (white triage code) that are subject to a fixed fee (“ticket”) of25.00euros. In serious cases don’t hesitate to call the emergency phone number 112.
Special rates at hotels and restaurants
Special rates for our students are available at several restaurants, hotels and Bed&Breakfast. E-mail us for a list.
Privacy statement: we will keep your data reserved in accordance with European regulations; we promise we won’t give them to anybody else. The full text of the GDPR statement is at this link.
International Early Music & Dance Workshop
17th Edition – Rome July28th – August 5th, 2018
Courses, concerts and seminars managed by Il Teatro della Memoria (artistic direction: Claudia Celi and Andrea Toschi)
The teachers of L’Humor Bizzarro 2018:
16th-17th Century Dances between Italy and Spain: Claudia Celi 17th-18th Century Dances and Contredanses between France and Spain: Ilaria Sainato 19th Century Social Dances: Paolo Di Segni Baroque Oboe: Angela Paletta Recorder: Marco Rosa Salva Renaissance & Baroque Singing:Rosanna Rossoni Renaissance & Baroque Trombone: Ercole Nisini Renaissance Lute, Theorbo and Baroque Guitar: Francesco Tomasi Cembalo Accompaniment: Paolo Tagliapietra
Rhethorical Gesture Seminar: Ilaria Sainato Qi Gong Seminar: Angela Paletta
Location:Scuola Popolare di Musica di Testaccio – Rome – Italy.
Regulations, costs and registration form for L’Humor Bizzarro 2018 available on this page.
Programs (in Italian) are at this link.
Info:tel. & fax +39-06-33267447 – mob. +39-328-3645555;e-mail:info@teatrodellamemoria.org or contact us by filling the form below:
Privacy statement: we will keep your data reserved in accordance with European regulations; we promise we won’t give them to anybody else. The full text of the GDPR statement is at this link.
Vadstena-Akademien announces selections for a production next Summer
The prestigious Vadstena-Akademien – hosted in the scenic Vadstena Castle on the shores of Lake Vättern – has over the years fulfilled an important role in bringing to new life forgotten masterpieces of the Baroque opera. Along this lines, for the Summer of 2018 the performance program features a pastiche based on the so-called Narva-Baletten, the grandiose show staged in Stockholm in 1701 to celebrate the military victory by Karl XII at Narva. Recently, scholars have identified among the composers, besides the Swede Anders von Düben (1673-1738) to whom hitherto the full work was attributed, also the French Jean Desfontaines (1658-1752) as well as Jean-Baptiste Lully (1632-1687).
The new production Solen och Nordstjärnan (Sun and North Star) joins in the homage the Sun King and Karl XII by combining material from the original ballet with a comic intermezzo by Molière and Lully. The performance will be produced with stage and choreographic direction by Karin Modigh assisted by Lena Cederwall Broberg and Adrian Navarro. The musical direction is entrusted to Dan Laurin with Anna Paradiso Laurin as cembalo accompanist.
Scholarships for the Baroque orchestra
For the instrumental ensemble (pitch A=Hz 415) scholarships are been offered for the following roles:
instrument
notes
Violin
modern or Baroque instrument
Violin w. obl. Viola (or viceversa)
modern or Baroque instrument
Viola
modern or Baroque instrument
Double bass
playing continuo, modern or Baroque instrument
Recorder
Baroque instrument required
Oboe
Baroque instrument required
Bassoon
playing continuo, Baroque instrument required
Lute
playing continuo
Harpsichord
playing continuo
Candidates should have a strong interest in historically informed Baroque orchestra performance practice. For bowed instruments however, previous experience on Baroque instruments may be an advantage but is not necessary.
The application form, filled according to the official regulations, should be delivered not later than 20 February 2018 to the address apply@vadstena-akademien.org. Selected candidates will receive scholarships that consist in a contribution to the cost of food and accommodation. Rehearsals and performances will be in the period 30 June – 8 August (for continuo players) or 4 July – 8 August (for all the others).
Mondovì (Northern Italy) will host the 25th Baroque and Classical Orchestra Training Course
Since 1994 the Fondazione Academia Montis Regalis has organized in Mondovì its Baroque and Classical Orchestra Training Courses, offering to many young talented musicians a unique opportunity in the field of 17th and 18th century historically informed performance on replicas of original instruments.
The Foundation’s website has recently published a call for the selection of thirteen young players (born not earlier than 1st January 1985) who will take part in the 25th Baroque and Classical Orchestra Training Course. Before January 15th it’s possible to apply for the selections that will take place on February 3rd and 4th. Bursaries are being offered for the following instruments:
7 violins
2 violas
2 cellos
1 double bass
1 harpsichord
For the audition candidates, must use a baroque type instrument mounted with gut strings and appropriate bow, tuned at A = 415 Hz. A Continuo accompanist will be available for candidates making a requst for it.
Successful candidates will take part in the 2018 Course, that will be taught by Olivia Centurioni, Alessandro De Marchi, Luigi Mangiocavallo and Enrico Onofri and will be subdivided in four study periods, each one from four to fifteen days, between May and December 2018. Each period will be concluded by a public concert.
Study periods:
dates
teacher
15-19 May 2018
Olivia Centurioni
13-16 June 2018
Luigi Mangiocavallo
5-7 July 2018
Enrico Onofri
13 November–2 December 2018
(dates to be perfected)
Alessandro De Marchi
Each participant will receive a gross sum of €2000,00 in the form of a bursary, plus boarding during the study periods and an allowance towards travel expenses. At the end of the 2018 Training Course, the Artistic Commission can decide of adding some of the best participants to the roster of the Academia Montis Regalis Orchestra for concert and recording activity during the 2018-2019 Season.
The competition rules are available (in Italian) at this link.
The ensemble is offering grants to young players of classical period instruments
Theresia Youth Orchestra, presently running its three-year concert series The Golden Age of Symphony, has announced a selection process in order to assign sixteen bursaries towards the attendance of educational paths lasting one or two years. The grants – offered to citizens of European Union member or European Economic Area member countries born on or after 1st January 1990 – are so subdivided:
After a first selection phase based on CV’s and video, a limited number of candidates will be invited to the auditions that will take place in Lodi (Northern Italy) on 20-21 January 2018 for strings and 3-4 February for winds and timpani. The program shall be performed on classical instruments (for winds and timpani) and with a classical bow for strings, at pitch A=430Hz.
Selected candidates will attend chamber music academies and orchestral residencies, under the guide of the teachers Claudio Astronio, Alfredo Bernardini e Chiara Bianchini, at several locations in Italy, France and Austria. The expenses for the accommodation of grantees during the artistic residencies, as well as the travelling and meal costs during concert tours, will be covered by Fondazione iCons. On the other hand, the expenses of board and travelling to the destination specified in the Schedule will be entirely borne by the grantees.
The deadline for sending applications, to be made according to the directions contained in the official regulations, is on 2 January 2018.
HEM – Genève will hire professors of Baroque Bassoon and Historical Harps
Haute Ecole de Musique de Genève (HEM) has announced a selection procedure for a teacher of Baroque Bassoon (in sobstitution of Prof. Lorenzo Alpert) within the Early Music Department. Furthermore, for the Orchestra Instruments Department, one Harp teacher with competence in Historical Harps will be selected. The required qualifications for the posts (both part-time for an amount to be determined) are:
Academic degree from a university level music institution, or equivalent title;
Renown at the international level in the performance field;
specific teaching experience for at least 5 years;
Ability to integrate in collective projects within a team and a dynamic environment;
Mastery of French (official language of HEM);
Practising and mantaining a significant professional activity outside the School.
The job main responsibilities will be:
Teaching their subject to students enrolled in Bachelor and Master courses;
Contributing to the elaboration, follow-up and evaluation of study programs (contents, repertories, goals, methods, means);
Assisting students in the elaboration of their final papers;
Taking part in continuing education and research programs, as well as in services managed by HEM.
The deadline for applications is 30 November 2017. Detailed information is available in the official announcements (in French):
The course is open to amateurs or professionals who wish to approach the baroque and classical repertory with the period instrument or with the modern one. The program will focus on performing and interpretative aspects and on reed building tecniques. Particular attention will be given to the study of respiration with specially aimed QiGong exercises. Individual and collective classes will aim to the study of the soloistic and chamber repertory of the period, both sacred and profane, possibly in conjunction with singing, dance or theatre classes. It’s possible to agree with the teacher on a special repertory proposed by the student. A limited number of study instruments, kindly supplied by the maker Alberto Ponchio (website www.anciuti.com), will be available for the class; students are therefore advised, if possible, to bring their own instrument.
A limited number of study instruments, kindly supplied by the maker Alberto Ponchio (see the Anciuti website), will be available for the class; students are nonetheless advised, if possible, to bring their own instrument.
ANGELA PALETTA, after obtaining her diploma in Oboe at the “A. Boito” Conservatory in Parma, has followed perfecting courses with I. Goritzki, P. Pollastri, P.W. Feit, P. Grazzi and A. Mion. She collaborates, playing both oboe and cor anglais, with several orchestras, among which Orchestra del Teatro Comunale di Bologna, Orchestra Sinfonica “G. Verdi” in Milan, Orchestra “Mozart” in Milan (where she also been in charge of the orchestra), Orchestra Filarmonica di Verona, Orchestra del Festival “T. Varga” at Sion (Switzerland), Orchestra Filarmonica di Torino, led by distinguished conductors and soloists such as H. Schiff, T. Varga, J. Horowitz, G. Cassone, Y. Kless. M. Rogliano, V. Sardelli. She took part in many chamber concerts with Trama Ensemble and with several ensembles in Italy and abroad. Since 2001 she collaborates as cor anglais and principal oboe with Orchestra Sinfonica di Adria and with Silver Symphony in Padova; since 2006 with Orchestra “G. Verdi” di Parma and Orchestra da Camera “F. Gonzaga” in Mantova. With the latter in May 2010 she has recorded the Concerto per oboe e archi by A. Marcello. She is also often active in the field of performance with period instruments, collaborating regularly with several early music groups among which Accademia di Musica Antica di Bazzano, Orchestra Barocca di Berna and with the “Il Teatro della Memoria” early music and dance company. She teaches Oboe at Scuola di Musica “Rinaldi” in Reggiolo and at Associazione Musicale ”Santa Cecilia” in Reggio Emilia.
Info about workshop costs and registration is available at this link.
English music from the second half of the 17th century. The course is open to students of any level and will deal specifically with music by John Jenkins, Matthew Locke, Henry Purcell, John Blow. Individual lessons and ensemble consort classes will be featured (a number of replicas of historical instruments will be avaiable). For the individual lessons, students can suggest pieces of their choice, also different from the main theme of the course.
Marco Rosa Salvastudied recorder with Aldo Bova in Venice and with Pedro Memelsdorff in Bologna, where he also graduated with a dissertation of Musical Dramaturgy. He has achieved a vast concert activity, collaborating with many medieval, Renaissance and baroque ensembles, such as Sonatori della Gioiosa Marca, Accademia di S. Rocco – Venice Baroque Orchestra, Cappella Ducale di Venezia, Pastime, Ensemble Antonio Draghi, Cappella della Pietà dei Turchini, L’Aura Soave, Il Complesso Barocco, Consort Veneto, I Barocchisti, Delitiae Musicae, Il Viaggio Musicale, La Venexiana, En Chordais, Cantar Lontano, performing in Italy, Europe, Turkey, United States, Mexico, China, in festivals among which Megaron Musica (Thessaloniki), Silk Road Festival, (Hong Kong), Gubbio Arte Medievale, Festival de Sablè, Settimane musicali al Teatro Olimpico (Vicenza), St. Galler Festspiel, Tage alter Musik (Regensburg), Lufthansa Festival (London), Festival di Cremona, Trentomusicantica, Notti malatestiane (Rimini). He has recorded for RAI, ORF and for the labels Stradivarius, Echo, Fonit Cetra, Tactus, Nuova Era, Skira, Naxos, Opus 111, Glossa. With the ensemble La Girometta (as a player of recorder and director) he deals in particular with the reconstruction of Italian 15th Century dance music, producing shows, masterclasses and lecture demonstrations. He teaches at Scuola di Musica Antica di Venezia since 1993 where, since 1998, he holds the post of director; he teaches courses and seminars at several Conservatories in Italy and abroad and at Italian Universities.
Info about the workshop costs and registration form are available atthis link.
