Humor Bizzarro 2019: Marco Rosa Salva, Recorder

Course program and teacher’s curriculum

Marco Rosa Salva recorder workshopI Fiori Musicali by Girolamo Frescobaldi (Venezia, Vincenti 1635) dedicated to Cardinal Antonio Barberini

Even if their destination for the organ is expressly specified by the author, the Fiori Musicali by Girolamo Frescobaldi are well suited for performance by a recorder ensemble, because of the stictly polyphonic 4-part writing, as shown by the original printing in score and not in tablature.

The recorder course is open to students of any level. Individual lessons and ensemble consort classes will be featured (a number of replicas of historical instruments will be avaiable). For the individual lessons, students can suggest pieces of their choice, also different from the main theme of the course.

Marco Rosa Salva

studied recorder with Aldo Bova in Venice and with Pedro Memelsdorff in Bologna, where he also graduated with a dissertation of Musical Dramaturgy. He has achieved a vast concert activity, collaborating with many medieval, Renaissance and baroque ensembles, such as Sonatori della Gioiosa Marca, Accademia di S. Rocco – Venice Baroque Orchestra, Cappella Ducale di Venezia, Pastime, Ensemble Antonio Draghi, Cappella della Pietà dei Turchini, L’Aura Soave, Il Complesso Barocco, Consort Veneto, I Barocchisti, Delitiae Musicae, Il Viaggio Musicale, La Venexiana, En Chordais, Cantar Lontano, performing in Italy, Europe, Turkey, United States, Mexico, China, in festivals among which Megaron Musica (Thessaloniki), Silk Road Festival, (Hong Kong), Gubbio Arte Medievale, Festival de Sablè, Settimane musicali al Teatro Olimpico (Vicenza), St. Galler Festspiel, Tage alter Musik (Regensburg), Lufthansa Festival (London), Festival di Cremona, Trentomusicantica, Notti malatestiane (Rimini). He has recorded for RAI, ORF and for the labels Stradivarius, Echo, Fonit Cetra, Tactus, Nuova Era, Skira, Naxos, Opus 111, Glossa. With the ensemble La Girometta (as a player of recorder and director) he deals in particular with the reconstruction of Italian 15th  Century dance music, producing shows, masterclasses and lecture demonstrations. He teaches at Scuola di Musica Antica di Venezia since 1993 where, since 1998, he holds the post of director; he teaches courses and seminars at several Conservatories in Italy and abroad and at Italian Universities.

Info about the workshop costs and registration form are available at this link.

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